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EXHIBITIONS
individual 2012 Passing the Veil: of tXX XXXXXXX XX XXXXX, Marginal Utility, First Among Equals, Institute
of Contemporary Art, Philadelphia.
Signs
from the Parking Lot, Brooklyn Arts Council, Brooklyn,
New York. 2011 Even a Mirror Casts a Shadow, Process Room, Irish Museum of Modern Art, Dublin. 2006 Supervisors, Michael Kohn Gallery, Los Angeles. 2005 Obras Laranjas (Orange Works), with Sancho Silva, Project Room, Centro Cultural de Belém, Lisbon. 2003 plane air, Michael Kohn Gallery, Los Angeles. 2012 HELP/LESS, Printed Matter, New York. 2011 The
Days of This Society Are Numbered, Abrons Art Center, New York, NY. Between Document and Fiction, Maus Hábitos and Passos Manuel, Oporto. Gifting Abstraction, Soho 20 Chelsea, NY, NY. 2010 Re:Group: Beyond Models of Consensus, Eyebeam Art and Technology Center, New York, NY. Big Show 5, Silas Marder, Bridgehampton, NY. 2009 Actions for Urban Spaces, Art in General, NY, NY. 1
Century, 10 Pencils, 100 Drawings, Museum of the Presidency of the Republic, Lisbon. Spatial Relations, Savannah College of Art and Design, Savannah, Georgia. 2008 Democracy in America—Convergence Center, Creative Time, Park Avenue Armory, New York, NY. 2007 Whitney Museum of American Art Independent Study Program, Artist’s Space, New York, NY. Land Grab, Apex Art, New York, NY. Urban Interface Oslo, Atelier Nord, Oslo. Monoprints, Pace Editions, New York, NY. 2006 Steam Shop (or the Painter’s Studio), Fábrica da Pólvora, Barcarena, Portugal. Seeing the Invisible, Riccardo Crespi Gallery, Milan. Mind the Gap, Smack Mellon, Brooklyn, NY. 2005 Wonderful Fund, Le Musée de Marrakech, Morocco; Pallant House Gallery, Chichester, UK. Report from NYC, Susquehanna Museum of Art, Harrisburg, Pennsylvania. Resonance, Hun Gallery, New York, NY. Mystery History, Broadway Gallery, New York, NY. 2004 Detonation, Anthology Film Archives, New York,NY. Ray of
Light, Saatchi
and Saatchi Headquarters, New York, NY. D'Artistes Americains, La Miroterie, Paris. 2002 Beyond the Gates, Art in General, Williamsburg Art and Historical Center, Brooklyn, NY. EDUCATION 2005-2006 Whitney Museum of American Art, Independent Study Program, New York, NY.
Pratt Institute, Brooklyn, NY. 1986-1990 Bachelor of Arts, Classics, Colby College, Waterville, Maine. 2012 On Interventionism
and Productive Confusion, Exit Art, New York, NY. Graduate Art Theory Seminar, Pennsylvania Academy of Fine Arts, Philadelphia. 2011Arte Util, A- Lab Forum, Queens, NY. Mapping Spectral Traces, National University of Ireland at Maynooth, Dublin. Artist in Residency Program (ARP), Irish Museum of Modern Art, Dublin. Stoop Series, Tyler School of Art, Philadelphia. 2010 Activist Interiors, The New School, New York, NY. Participation-ism and the Limits of Collaboration, Eyebeam Art and Technology Center, New York, NY. Open Call, PS. 1 and Creative Time, Queens, NY. Urban Public Art, The New School, NY. 2009 Stealth
Public Art,
session at College Art Association Annual Conference, Los Angeles. Actions for Urban Spaces Roundtable, Art in General, New York, NY. 2008 Museum as Hub, New Museum of Contemporary Art, New York, NY. 2007 Strategies of Occupation: Grabbing Land and the Political Agency of the Artist, Vera List Center, The New School, New York, NY. 2007 The Porous City, (conference), Oslo, Norway. 2002 Organizer/Lecturer, Robert Smithson: Grounding Art, Pratt Institute, Brooklyn, NY. PUBLICATIONS 2012 “Every Exit Is an Entrance: 30 Years of Exit Art,” Holland Cotter, New York Times, May 10. “Court Jester: Is Richard Prince Using the Legal System as a Medium?” New York Observer, May 29. 2011 “Authorized Disruption: John Hawke and Orange Works, 2005–10,” Radical History Review, Duke University Press (volume 109), Winter.2009 1 Century, 10 Pencils, 100 Drawings, Viarco Express, Museum of the Presidency of the Republic, Lisbon, (exhibition catalog). 2008 Democracy in America, Creative Time Books, New York, NY, (exhibition catalog). “With Politics in the Air, a Freedom Free-for-All Comes to Town,” Holland Cotter, New York Times, September 23. 2007 “Art in Review,” Roberta Smith, New York Times, December 7. “Build a Fort,” David Michael Perez, rhizome.org. “Land Grab,” Shane McAdams, Brooklyn Rail, Dec. “Seeing the Invisible,” Samuel Menin, Flash Art, Feb. Steam Shop (or the Painter’s Studio), Gulbenkien Foundation, (exhibition catalog). “Filling the Void,” Olympia Kazi, Architect’s Newspaper, May. 2006 Mind the Gap, Eva Diaz and Beth Stryker, (exhibition catalog). 2005 The Wonderful Fund Collection,
(exhibition catalog). “Report from NYC” The Patriot News, October. 2003 InStyle magazine, Fall/Winter. 2001 New American Paintings: the MFA Annual, Open Studios Press. 2012 Art and Law Residency, Volunteer Lawyers for the Arts, NY. Artist Community Collaboration Award, Brooklyn Arts Council, NY. 2011 Artist in Residency Program, Irish Museum of Modern Art, Dublin, Ireland. 2005 Kress Foundation Curatorial Fellowship, Department of European Paintings and Sculpture, Brooklyn Museum. 2002 MFA, MS degrees with Highest Distinction, Pratt Institute, Brooklyn, NY. 2000 Pratt Circle Award - Outstanding Academic Achievement. Pratt Institute. COLLECTIONS Alliance Bernstein, New York, NY. Capital Group, New York, NY. Martin Brest, Hollywood, CA. Microsoft Corporation, Redmond, WA. Sidley Austin LLP, New York, NY. Wonderful Fund, London, UK. REPRESENTATION 2002-present: Michael Kohn Gallery Los Angeles, CA. 2007-present: Pace Editions, New York, NY.
AUTHORED REVIEWS AND CRITICISM 2005 “Lost in Queens,” Brooklyn Rail (BR), April. 2004 “Unbroken Kilometers,” BR, September. “Carol Peligian at East,” BR, June. “Mark Lombardi: Global Networks,” BR, January. 2003 “Landslide,” BR, September. “Water, Water,” BR, September. “Remains of the Day,” BR, March. “Raw,” BR, March. 2002 “John O’ Conner: Schemes Out,” BR, December. “Sacred Matter,” BR, September. “Art in Lisbon,” BR, August. “Rendez-Vous,” BR, May. “I’m With Nature,” BR, April. “Kim Jones at Pierogi,” BR, February. TEACHING EXPERIENCE 2008-2009; 2011 Suffolk County Community College, Visual Arts Department, Selden, NY. 2010 Fairleigh Dickinson University, Visual and Performing Arts Department, Madison, NJ. 2008-2010 Essex County College, Humanities Department, Newark, NJ. 2008County College of Morris, Department of Visual Arts, Randolph, NJ.
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